At Baroco the refinement of the place, where the wood and the stone act as an invitation to the instrument, establishes a new strong relation after the time.

The notion of service is here dominating because it is above all a question of accompanying the musician in their research for an ancient instrument with which a real climate of musical complicity can be established.

For Pierre Barthel, the keystone of the elaborate meeting is based on the confidence and the dialogue with the musician through the expression of his(her) demands.

The quality is the key word which governs the gesture of the stringed-instrument maker so as a main source of all the activity.

In his workshop, Pierre Barthel and his assistants engage the complete restorations of historic instruments and realize delicate regulations of tones for the great international musicians.

For all that, Pierre Barthel also attaches a lot of importance to accompany the first discoveries of an instrument of the string quartet through a vast choice proposed by Baroco.